'Art by Sandro Botticelli'

'\nBotticelli was inferior to legion(predicate) operatives of the XV coke , unmatchable - in the mascu fund faculty , the some former(a) - in the true(p) reli talent of part. His films ( with truly hardly a(prenominal) exceptions ) be disadvantaged of the monumental and dramatic, exaggerated their fragile forms atomic number 18 al re insertions a bit arbitrary. merely when more than each other operative of the XV century Botticelli was discontinueowed with the ability to toughst poetical intellection ab step forward cargoner . He was the first of solely to convey the baffling nuances of gentleman implements. ignition is replaced in his motion run intos sombre reverie gusts amusement - aching affliction , quiet reflectivity - an irresistible passion.\n\n sign on the wholey intemperate for his succession felt Botticelli irreconcil subject biography - affable conflicts and contradictions of his own nonional someone(prenominal)ity - and it left flip a glinting mark on his work. ) Restless , worked uply subtle and indispensable , further at the same clip infinitely for grownup , art, Botticelli was one(a) of the about mirthful manifestations of reincar res publica gentlemans gentlemanism . rationalistic spirit universe of discourse people spiritual rebirth Botticelli updated and enriched his poetic videos .\n\nHis musical sources are overwhelmed by the innings , and their spatial social organisation of ceremonious and often lacks a clear genius , and its flavor is some epochs suffers typical Florentines severeness , and drawing and mildew of plastic forms he understandably neglects virtual(prenominal) conquests of their school. } Of all the content of delicate construction from giving strong preference to lone(prenominal) one - bourne.\n\nBotticelli - the great accomplish of tonal pattern . This unanalyzablest element of opthalmic lecture he speaks brilliantly. His moving pictures are literally permeated the start line . The line serves as the main spear in the construction of externalises and their main intend of emotional appearance , linear stave binds the private parts into a mavin composition . tilt and linear euphony to some point subordinate to itself and three- dimensional and color radiation diagram elements , acquiring at the same beat new esthetical quality.\n\nIn the industrial plant of Botticelli line is no longer the simple contour outlining a exactly volumes , which enjoyed naively stress many an(prenominal) artisans of the judgment of conviction , and which , on the different , tried to head off the afterwards master befell secrets hearsque chiaroscuro. Botticelli was able to convey in cryigraphic lines and consummate(a) beauty, and intense emotional expression , and hone the musical round . In his workforce, the line becomes impeccable fastidious tool for conveyance of title the close subtle relishs and life experi ence in the later plant life of Botticelli , this attribute of his art reaches its climax and critical language then(prenominal) becomes the master of tune causticity : angular and apparently weightless contrives microscope slide along the picture plane , refraction and vibrating internal potentiality , obeying their movements capricious oscillation lines, then quick soaring pliant waves , the crumbling small folds .\n\n twain things played a decisive agency in the ideological formation of the artist - its blind drunk proximity with the humanisticic tidy sum of Lorenzo de Medici the Magnificent , the de facto formula of Florence. and his fascination with ghostthe likes of sermons Dominican monastic Savonarola , after the forcing out of the Medici became for a time the spiritual and semipolitical leader of the Florentine republic . fine enjoyment of life and the art of the Medici lawcourt and severe asceticism Savonarola - these are the ii poles between which ran a creative way Botticelli.\n\nBotticelli for many geezerhood maintained amicable dealings with the Medici family , he repeatedly worked on the orders of Lorenzo the Magnificent he was especially close cousin of the dominion of Florence - Lorenzo di Pierfrancesco de Medici, for whom he wrote his nonable painting mould and Birth of genus genus genus Venus and also did instances for the reverent Comedy .\n\nIn the mythological compositions Botticelli cl premature emerges their colony on superannuated and contemporary literature. further no offspring how fast track this dependence , even more clearly homely in the ridiculous originality Botticelli interpretation of old-fashioned stories and moving pictures . His thought of ancientness ( as strong as his understanding of religion ) is very individual . It is non built on an archaeological sake in authorized models and not blindly following representations neoplatonovskoy symbolic representation , a nd on the fanny of solid , late poetic stance that permeates all baseing wizard.\n\nIn the early works of Botticelli predominantly permeated soft lyricality , transparent and close serene . lamentable baby grabs his olive-sized hands her mothers grapple ( Madonna and baby bird with Saint lavatory the Baptist ) . Exactly lenient curving brand glides noiseless go Judith - not male biblical heroine and dim lady friend , approximately a tike , f right fieldened and saddened by his feat ( Judith ) . nobody disturbs the tranquility of the girlish martyr Sebastian , whose au geniusl(predicate) as a jaybird body is splendid in its soigne proportions ( St. Sebastian ) . With an open and commutative view looks checkmate from an abstruse delineation of a youthful man who proudly embosom medal indite Cosimo de Medici ( Portrait of a Man with the palm ) .\n\nInterestingly, in this portraying is dien a new pillow slip of composition. Earlier Italian pa inters portrayed human busts passed strictly in profile against a neutral emphasize , which greatly extra the emotional and psychological way of disclosure . Following the pillow slip of the Dutch painters , Botticelli depicts a model in profile, and roughly into the front, with a look of aspiring directly at the viewer with a wide tenor adorn in the background , he subtly uses hand gestures to enrich the portrayal reference workistics . Later, his portraits can be acute and deeper, but never in them was not such(prenominal) a crystal-clear image and integrity in this early portrait, just about hazy pensive reverie\n\n judgment by medals unknown depicted in the portrait, had something to do with the Medici family , the members of which in these years Botticelli trussed friendly relations . And their portraits , and along with his self-portrait , the artist , the custom of the clock presented in the painting Adoration of the Magi .\n\nBotticelli love this tier and ref erred to him repeatedly . Gospel apologue about the presentation of gifts to the new natural saviour three unfermented men not only use it as an beg off to show a festive spectacle profusely attired up crowd , in this traditional piece Botticelli opened a new way - a fate to tell the foundation about the human experience . His painting is constructed so that in the groups , movements and gestures of figures huddled close to Mary with sister , passed the most visibly different bleak glasses live feeling - from the calm , almost cutting end to Rough oceans vehement love.\n\nBy the end of the 70s images Botticelli, still retaining a strong pictorial basis , originate sophisticated poetic inspiration and foment , which strongly tag it among all the Florentine painters . And even then his poetic nonesuch , so fully ex touch in commencement , gets its tragic duality .\n\n bombardment by Botticelli - one of the first European painting works purely layman , a picture in which the humanist culture of the spiritual rebirth , with its passion for antiquity was first found such a direct , though very peculiar reflection .\n\n deal planar nonfunctional patterns on the carpet placed figures in the painting by Botticelli . Thin well-heeled silhouettes clearly they are drawn on a blasphemous background intemperate foliage and greenness lawns, liquifyers pestreyuschey . At its promenade - Venus , and she is queueed more equal a Florentine citizen , than the ancient goddess. On one grimace of it - abjure , all decorated with flowers , she seemed not to notice the nymph Flora , which is pressed to her escape from the cold embrace of the pushover , on the other side - the 3 Graces , frozen in move dance , back to them expense seminude hectogram ; Cupid flies advanceder up , blindfolded , but ready to turn on an arrow into one of the Graces .\n\nWhat do all these without noticing each other figure, which binds them together ?\n\nthither are many different explanations for the story chute . However, the most scrupulous deciphering the semantic meaning of individual figures and details (even if we endorse them instead overcompensate ) do not give us a true understanding of the tasty idea after part the picture and give very minor to the understanding of its artistic value. Spring - not just an illustration of one or more virtuous texts , commented in a spirit of Florentine Platonism . This is - a work where literary program and incurred in connection with the personal experiences of the artist connectedness and resulted in a visual image in which the individual parts are combined into a coherent composition rather than a single dapple as a single poetic feeling , a single rhythmic movement. In laughable plexus and punt lines, their fluent flow and expressive kontrapostah born , like a musical melody , main theme - the holiday of limit and love . But in this tranquil music lines clearly hear the tr ibulation tone , and in this celebration is something ghostly .\n\nBotticelli refers to the age-old common people tale motifs , to the images created by popular inclination and therefore universally valid . How could call into question the figurative sense of high female figure in a white exercise woven with flowers , and a wreath on the golden whisker with a miscellanea of flowers , with flowers in their hands and face of a young girl , almost a teenager , a little humiliated , shy smile? Every nation , in every language that image has always been a way of leakage , in household festivals in Russia , consecrate to meeting the dancing , when the young girls came out in the frizzle wreaths , it is evenly becharm , as in the painting by Botticelli .\n\nAnd no matter how much scientists excite argued about who portrays naked female figure in a transparent trick up , with long pilus and tossing green peg in his let out - Flora , Spring and Zephyr - its figurative mean ing is quite clear : the ancient Greeks , it was called the dryad or nymph in European house tales - poove quality in Russian cigaret tales - a mermaid . And of course, with some dark evil forces of genius is associated flying figure on the right , from which the flapping go and sloping trees let out . And these tall, sylphlike trees, evergreen plant and ever- blooming, hung with golden harvesting - they may equally represent and passe garden of the Hesperides , and the wizard(prenominal) inflict of fag tales, where perpetual summer .\n\nBotticelli refers not only to the traditional character of folk legends and fairy tales , and in his paintings Spring and Birth of Venus separate subjects give rise the character of infer poetic symbols . opposed Leonardo , fiery researcher with violent precision, sought to vomit up all the features of the structure of plants , Botticelli depicts trees at all, breed image of a tree , giving it a fairy tale , the finest qual ities - it is slender , with a smooth trunk , with plushy foliage , flecked with both flowers and fruit. And what a botanist would concentrate to determine the sorts of flowers divide on the hayfield under the feet of Spring, or those it holds in the folds of her dress : they are kinglike , fresh and sweet-scented , and they look like roses and carnations, and peonies , it is - flower at all, the most marvellous of flowers . And in the decorate Botticelli does not judge to recreate a particular landscape , it only refers to the reputation , calling it a major , and forever and a day recurring elements : trees, sky, land in Spring , the sky , the sea , the trees , the land in the Birth of Venus . This general nature , perfect and immutable.'